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Underrated Bollywood Actresses Who Deserve More Limelight

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For many years, Bollywood was about superstars and their kids.  It is just recently we started appreciating real talent. There are many actresses in Bollywood who, despite being supremely talented, lack recognition.  Here is a list of a few such actresses who we think deserve more limelight.

 

1) Radhika Apte

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Radhika Apte is arguably one of the most versatile actresses in B-town.  Her journey in the film industry began with the film Vaah! Life Ho To Aisi and ever since, she worked in several films and experimented with various genres.  With films like Shor In The City, Phobia, Pad Man and Andhadhun, which were extremely different from each other, she proved her versatility as an actor.  Her work in several regional films like Kabali and Vetri Selvan is also praiseworthy.  Radhika Apte also conquered the digital world with her commendable acting in the short film Ahalya and web series Lust Stories.  Radhika Apte definitely deserves more appreciation.  

 

2) Bhumi Pednekar

Bhumi Pednakar started her journey in films by working as an assistant director at Yash Raj Films for six years.  Her debut as an actress, however, was with the film Dum Laga Ke Haisha, opposite Ayushmann Khurana.

Her portrayal of the overweight wife was topnotch in this film.  Her acting brilliance was, however, proved with films like Shubh Mangal Savdhaan and Toilet: Ek Prem Katha.  For the latter, she also won the Dadasaheb Phalke Film Foundation Award for the Best Actress.  Despite being such a talented actress, Bhumi Pednekar still lacks widespread recognition.

 

3) Taapsee Pannu

Time and again, Taapsee Pannu proved to the world how brilliant she is as an actress.  Her work in films like Pink, Badla, Mulk and Manmarziyaan is quite commendable.  While the actress is being recognised by the audience for her acting capabilities in the recent times, award shows like Filmfare and IIFA are yet to recognize her brilliance.  Considering the share of fame and limelight bestowed on star kids of this era, it is quite an injustice to this supremely talented actress.

 

4) Richa Chadda

Richa Chadda is yet another talented actress who came to be known with films like Gangs of Wasseypur, Fukrey and Goliyon ki Raasleela: Ram-Leela.

While Chadda received a lot of critical acclaim for her work in Fukrey and Gangs of Wasseypur, the mainstream audience are yet to recognize her.

Despite delivering such great work, she still has not been able to bag any big budget films.

 

5) Swara Bhaskar

Swara Bhaskar is known for her portrayal of important characters in Tanu Weds Manu, Raanjhanaa and Veere Di Wedding.  Her portrayal of a single mother in the Ashwini Iyer Tiwari directorial, Nil Battey Sannata, received widespread critical acclaim and she walked home with the Star Screen Award for Best Actor (Critics.) This actress has a different energy of her own, but failed to gain the attention of mainstream media and audience. We think she definitely deserves better.

 

In Bollywood, there is a swarm of actors who play supporting roles and even protagonists in some films and yet go unnoticed majorly because they do not have a famous surname.  In the coming times, we only hope these actors get the appreciation they deserve.

 

Comment below and let us know which one of these actors is your favourite.  

 

 

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Udham Singh Biopic Gets A Release Date

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Sardar Udham Singh, Vicky Kaushal’s next film, finally has a release date.  Based on the life of Udham Singh, a revolutionary who was a part of the Indian freedom struggle, this Shoojit Sircar directorial is going to hit the screens on the 2nd of October, 2020.

Talking about the film, Shoojit Sircar said in a statement, “Yes we will be releasing on 2nd October 2020. Keeping in mind the remaining shoot schedule, the post production process and the time required to complete the film, my producers and good friends Ronnie Lahiri and Sheel Kumar advised this date for a feasible release next year, hence I decided to go ahead with it!”

Making a film about this revolutionary man was Sircar’s dream.  The Country remembers Udham Singh for shooting Brigadier General Reginald Dyer and Michael O’Dwyer, the Lieutenant Governor of Punjab, in 1940.  Udham Singh killed the two men to avenge the death of all the people killed during the Jallianwala Bagh massacre (1919) in Punjab.

Apart from this biopic, Vicky Kaushal is currently working on Bhoot Part One: The Haunted Ship,  which is scheduled to release on the 15th of November, 2019.  Shoojit Sircar, on the other hand, is working on Gulabo Sitaabo, which will star Amitabh Bachchan and Ayushmann Khurrana in the lead roles.

Written by Ritesh Shah and Shubendu Bhattacharya, Sardar Udham Singh is bankrolled by Rising Sun Films.

Stay tuned for more updates.

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SRK-Aryan To Give Voice Overs For Hindi Version Of The Lion King

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Shah Rukh Khan (SRK) dropped a massive announcement on the 17th June, which is sure to make your Monday better.  The Bollywood superstar is all set to give a voice over for Mufasa’s character for the live action version of Disney’s The Lion King!  To make your day all the better, it isn’t just Shah Rukh Khan who is going to be lending his voice, but son Aryan will also have a role to play.

While SRK will lend his voice to Mufasa, son Aryan is going to provide a voice over for Mufasa’s son, Simba.  According to SRK, The Lion King (1994) is a movie the entire family loves and as a father, he can totally relate to the bond between Simba and Mufasa.

“The legacy of The Lion King is timeless; and being a part of this iconic re-imagining with my son Aryan makes it extra special for me. We are most excited that AbRam is going to watch this,” Shah Rukh said in a statement.

Previously, Disney movies like The Jungle Book, Dumbo and Aladdin were turned into live action films. The voice cast for the English version of The Lion King (2019) includes Beyonce as Nala, John Oliver as Zazu, John Kani as Rafiki, Billy Eichner as Timon, Seth  Rogen as Pumbaa and Chiwetel Ejofor as Scar.0

While making the announcement of the cast, Bikram Duggal, the Head of Studio Entertainment, said, the aim of making this live action film was to reach out to a larger audience. “We cannot imagine having a better voice cast than Shah Rukh Khan and his son Aryan to bring the characters of Mufasa and Simba to life in Hindi,” Duggal said while talking about the news. Directed by Jon Favreau, The Lion King is going to release in English, Tamil, Telugu and Hindi on 19th July 2019.

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Happy Father’s Day – Bollywood Movies To Watch With Your Father

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The bond you share with your father is special. They chastise you, they shower you with love and they teach you the tough side of life without judgement.  The bond you share with your father is quite an unexplainable one. Watch these movies with your father to make this Father’s Day all the more special:

1. Chachi 420

One of the most heartwarming movies in which Kamal Hassan starred, Chachi 420 aptly describes how far a father can go to spend time with his child.  Separated from his daughter as the result of a bitter divorce, Kamal Hassan’s character tries to find the most innovative way possible to be a part of his daughter’s life.  Disguising himself as a woman, he enters his ex wife’s house as a nanny and does everything possible to spend time with his daughter. Watch this movie with your father as a thank you to all the great things he has done for you in your life!

2. Khamoshi: The Musical

Sanjay Leela Bhansali’s directorial debut, Khamoshi: The Musical, portrays the beautiful relationship between a father (played by Nana Patekar) and his daughter (played by Manisha Koirala.)  The film shows how a father with a hearing disability builds a relationship with his daughter and tries to come to terms with the fact she will eventually get married and have a life of her own.  A movie which speaks about love through barriers of any kind, this one  tugs at your heartstrings! Perfect for a day like Father’s Day!

3. Akele Hum Akele Tum

The film opens with Rohit (Aamir Khan,) who isn’t as mature as his peers and is fighting for the custody of his son post a divorce.  Despite Rohit not being successful, his son decides to stick with him.  A coming of age sort of a film, Akele Hum Akele Tum shows how love can be found even in the most dire situations!  A true tribute to a father’s love for his child, this movie is a must watch on Father’s Day!

4. Piku

Have you ever had moments with your father where he just seems to be extremely impossible?  Have you ever had moments with your father where you are so sick and tired of him but you end up putting up with his quirks because of how much you love him?  This Amitabh Bachchan and Deepika Padukone starrer is filled with moments like these. Piku shows no matter how many rough patches you go through with your father, you are always there for him because he would do the exact same thing for you!

Movies like these warm your heart and make you feel extremely grateful for the bond you share with your father.  If you think we missed out on other movies like these, comment and let us know!

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Article 15 – Second Song Naina Yeh Out Now

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After dropping a truly angry first song from the Ayushmann Khurrana starrer Article 15, the makers just dropped Naina Yeh, the second track from the movie. Quite unlike the first song, Naina Yeh is all about experiencing your emotions and opening up to the person you truly love.

Naina Yeh is composed by Piyush Shankar and sung by Yasser Desai and Aakansha Sharma. What makes this song stand out is, one can connect with the emotions of this song because of the lyrics. The actors maintained themselves in a manner which is restricted, leaving the interpretations largely to the listener. Check out the song here to know what we mean!

The first song released from this movie was an angry rap song called Shuru Karein Yeh. Depicting all the things which are wrong with the world, the first song gave one an idea of what to expect from the movie. Directed by Anubhav Sinha, Article 15 is perhaps one of the most awaited movies this month.

Apart from seeing Ayushmann Khurrana in a brand new light, the story of this film is also quite an intriguing one, with inspiration drawn from a horrific gang rape case. To make things all the more exciting, this movie sees Ayushmann Khurana play the role of a cop for the first time in his career!

Apart from Ayushmann Khurrana, this movie also stars Manoj Pahwa, Sayani Gupta, Kumud Mishra, M. Nasser, Ashish Verma, Sushil Pandey, Subrajyoti Bharat, Ronjini Chakraborty and Zeeshan Ayub in the lead roles. Article 15 is scheduled to hit the screens on the 21st of June, so block your calendars now!

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Nana Patekar Cleared Of Harassment Charges

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On the 14th of June, the Oshiwara Police cleared Nana Patekar of the sexual harassment charges filed against him by co star Tanushree Dutta in the year 2008. The Taxi No. 9211 actor was cleared by the police because of lack of substantial evidence against him.

Tanushree Dutta had filed her complaint against the actor for the first time in the year 2008. However, Patekar always denied all the allegations against him. Things took an ugly turn between the two during the #MeToo movement in 2018, post which, Dutta filed a new case against her 68 year old co star.

In the First Information Report (FIR) registered at the Oshiwara Police Station last October, Dutta claimed, the song for the film Horn “OK” Pleassss was originally supposed to feature only her, but Patekar got himself included into it after speaking to producer Samee Siddiqui, director Rakesh Sarang and choreographer Ganesh Acharya. She alleged, on March 26th 2008, Patekar touched her inappropriately on the pretext of teaching her dance steps.

While filing her FIR, the 35 year old Dutta alleged, Patekar demanded intimate dance steps be added to the song of which they were both a part. According to Dutta, Patekar wanted this song to be added even though she wasn’t comfortable with the steps and the way the song was being shot.

Dutta further said Patekar threatened her when she refused to accept the new changes in the song. While filing her report, the actress said, at least two people were privy to this exchange and were even ready to talk to the police to justify the claims. However, the case against Patekar closed because the Mumbai Police could not find any evidence to take the case forward. With no other option, the Police had to shut the case.

While attempting to prove his innocence, Patekar said, he did not know how to dance and even the few steps he had—he took close to 25 to 30 takes to get them right. Patekar further said, Dutta and he practised their dance steps at a distance from each other and at no point during the shooting of the song were they were together. Neither the producer nor the director and choreographer were able to back Tanushree Dutta’s claims regarding this matter.

The police also found, a complaint given by Tapankumar Dutta, Tanushree’s father, to the Goregaon police station, contained no mention of alleged sexual harassment by Patekar. “Her father’s complaint mentions that Dutta did not like a scene in the film and asked Acharya to change it. When hOn the 14th of June, the Oshiwara Police cleared Nana Patekar of the sexual harassment charges filed against him by co star Tanushree Dutta in the year 2008. The Taxi No. 9211 actor was cleared by the police because of lack of substantial evidence against him.

Tanushree Dutta had filed her complaint against the actor for the first time in the year 2008. However, Patekar always denied all the allegations against him. Things took an ugly turn between the two during the #MeToo movement in 2018, post which, Dutta filed a new case against her 68 year old co star.

In the First Information Report (FIR) registered at the Oshiwara Police Station last October, Dutta claimed, the song for the film Horn “OK” Pleassss was originally supposed to feature only her, but Patekar got himself included into it after speaking to producer Samee Siddiqui, director Rakesh Sarang and choreographer Ganesh Acharya. She alleged, on March 26th 2008, Patekar touched her inappropriately on the pretext of teaching her dance steps.

While filing her FIR, the 35 year old Dutta alleged, Patekar demanded intimate dance steps be added to the song of which they were both a part. According to Dutta, Patekar wanted this song to be added even though she wasn’t comfortable with the steps and the way the song was being shot.

Dutta further said Patekar threatened her when she refused to accept the new changes in the song. While filing her report, the actress said, at least two people were privy to this exchange and were even ready to talk to the police to justify the claims. However, the case against Patekar closed because the Mumbai Police could not find any evidence to take the case forward. With no other option, the Police had to shut the case.

While attempting to prove his innocence, Patekar said, he did not know how to dance and even the few steps he had—he took close to 25 to 30 takes to get them right. Patekar further said, Dutta and he practised their dance steps at a distance from each other and at no point during the shooting of the song were they were together. Neither the producer nor the director and choreographer were able to back Tanushree Dutta’s claims regarding this matter.

The police also found, a complaint given by Tapankumar Dutta, Tanushree’s father, to the Goregaon police station, contained no mention of alleged sexual harassment by Patekar. “Her father’s complaint mentions that Dutta did not like a scene in the film and asked Acharya to change it. When he refused, she left the set along with her parents and manager, but their car was attacked by MNS party workers and supporters of Patekar at the exit. Nowhere does the FIR, registered at Goregaon police station, mention that Patekar molested Dutta,” states the closure report.

In their closure report, the police also said, nowhere in her complaint did Tanushree Dutta speak about being harrassed. She only spoke about the financial losses incurred when she walked out of the movie.

The closure report finds Tanushree Dutta guilty of intentionally filing false cases against Nana Patekar. Dutta’s lawyers said the actress will file a petition with the Mumbai High Court to reopen the case.

Stay tuned for more updates.
e refused, she left the set along with her parents and manager, but their car was attacked by MNS party workers and supporters of Patekar at the exit. Nowhere does the FIR, registered at Goregaon police station, mention that Patekar molested Dutta,” states the closure report.

In their closure report, the police also said, nowhere in her complaOn the 14th of June, the Oshiwara Police cleared Nana Patekar of the sexual harassment charges filed against him by co star Tanushree Dutta in the year 2008. The Taxi No. 9211 actor was cleared by the police because of lack of substantial evidence against him.

Tanushree Dutta had filed her complaint against the actor for the first time in the year 2008. However, Patekar always denied all the allegations against him. Things took an ugly turn between the two during the #MeToo movement in 2018, post which, Dutta filed a new case against her 68 year old co star.

In the First Information Report (FIR) registered at the Oshiwara Police Station last October, Dutta claimed, the song for the film Horn “OK” Pleassss was originally supposed to feature only her, but Patekar got himself included into it after speaking to producer Samee Siddiqui, director Rakesh Sarang and choreographer Ganesh Acharya. She alleged, on March 26th 2008, Patekar touched her inappropriately on the pretext of teaching her dance steps.

While filing her FIR, the 35 year old Dutta alleged, Patekar demanded intimate dance steps be added to the song of which they were both a part. According to Dutta, Patekar wanted this song to be added even though she wasn’t comfortable with the steps and the way the song was being shot.

Dutta further said Patekar threatened her when she refused to accept the new changes in the song. While filing her report, the actress said, at least two people were privy to this exchange and were even ready to talk to the police to justify the claims. However, the case against Patekar closed because the Mumbai Police could not find any evidence to take the case forward. With no other option, the Police had to shut the case.

While attempting to prove his innocence, Patekar said, he did not know how to dance and even the few steps he had—he took close to 25 to 30 takes to get them right. Patekar further said, Dutta and he practised their dance steps at a distance from each other and at no point during the shooting of the song were they were together. Neither the producer nor the director and choreographer were able to back Tanushree Dutta’s claims regarding this matter.

The police also found, a complaint given by Tapankumar Dutta, Tanushree’s father, to the Goregaon police station, contained no mention of alleged sexual harassment by Patekar. “Her father’s complaint mentions that Dutta did not like a scene in the film and asked Acharya to change it. When he refused, she left the set along with her parents and manager, but their car was attacked by MNS party workers and supporters of Patekar at the exit. Nowhere does the FIR, registered at Goregaon police station, mention that Patekar molested Dutta,” states the closure report.

In their closure report, the police also said, nowhere in her complaint did Tanushree Dutta speak about being harrassed. She only spoke about the financial losses incurred when she walked out of the movie.

The closure report finds Tanushree Dutta guilty of intentionally filing false cases against Nana Patekar. Dutta’s lawyers said the actress will file a petition with the Mumbai High Court to reopen the case.

Stay tuned for more updates.
int did Tanushree Dutta speak about being harrassed. She only spoke about the financial losses incurred when she walked out of the movie.

The closure report finds Tanushree Dutta guilty of intentionally filing false cases against Nana Patekar. Dutta’s lawyers said the actress will file a petition with the Mumbai High Court to reopen the case.

Stay tuned for more updates.

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