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Airlift Movie Review | Akshay kumar | Nimrat Kaur

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Airlift Movie review

Airlift Movie Review | Akshay Kumar | Nimrat Kaur, Akshay Kumar is noteworthy in Airlift

‘Even when toasting a true story, say our movies, a superstar is worth more than a real hero,’ says Raja Sen.

Movies about really unsung heroes are a fine thing, and Raja Krishna Menon’s Airlift is a genuine push to commend a madly overwhelming task.

In 1990, amid the first Gulf War, more than 170,000 Indians were stranded in Kuwait when it was assaulted by Iraq. A couple of nearby representatives and Indians tackled the valiant, essentially tough undertaking of bringing those peoples back home.

The number itself is amazing – requiring about 500 planes brimming with individuals – and Airlift, generally, conveys this activity with productivity and a relative absence of overstated show.

The circumstance itself is patently silly, with defensively covered tanks moving onto city roads in Kuwait one boisterous night, and Menon wells to keep things controlled more than most Bollywood movie producers would.

Akshay Kumar plays an eager for profit businessman, a man who opposes Hindi film music and would rather listen to Arabic tunes, yet the bad dream of living in a war-torn foreign city stirs his enthusiastic and sympathetic side, which prompts what remains the biggest common departure ever.

The film is well shot, with cinematographer Priya Seth accomplishing the right blend of great ethereal shots and cramped handheld bits, and sensibly very much textured with trustworthy Middle Eastern specifying.

There are hiccups – like Kumar singing a Hindi tune minutes in the wake of declining to listen to Hindi tunes – and the melodies do without a doubt act as a burden each and every time they go ahead, however things are smoothened over by the strong character specialists populating this film, from the shockingly powerful Purab Kohli to the ever-brilliant Kumud Mishra to the agents who play Kumar’s amigos to the fascinatingly defenseless Feryna Wazheir, who plays a Kuwaiti lady wanting to make her getaway with the Indians.

It isn’t all ok, however: Prakash Belawadi, who is by all accounts in each film now post his star turn in Calvary, plays an infuriatingly tenacious and severely composed character.

In the mean time Nimrat Kaur, who plays Kumar’s wife, appears tested by the brief of talking delicately with a strain of Punjabi, similar to a lady from a Pakistani play while always wearing make-up paying little mind to how harrowed her character is, similar to a lady from an Indian network show.

This marriage of cross-fringe cleanser musical show tradition doesn’t help Kaur, who shows up, for the most part, senseless, and amid her one pivotal turning point, a blistering, her pronunciation, unfortunately, falls away.

Still, Airlift is convincing, because of a sterling performance by Akshay Kumar – who is both suitably fatigued and suitably prudent for the part – enough to grapple the procedures. The actor is constantly fine when controlled, and Menon plays to his qualities and Kumar just snaps once, reflexively, into Bollywood legend mode, however, he is, for the most part, quiet and grown-up and hanging on.

The issue with Airlift, then again, visually talking, is that its hero, while messianic, may be controlled too far: There is very little Kumar needs to do other than having confidence and converse with people; there is no daring arrangement, there is no flash of brilliance – it’s all simply trust and mankind.

That sounds sufficiently respectable, however, it makes things less intriguing artistically – looked at, say, to the frantically expand plans completed in Ben Affleck’s Argo, an unbelievable departure film Airlift will constantly (and tragically) be contrasted and. Menon’s is a sweet film, however sufficiently tame to be nicknamed ‘Argo Hug Yourself.’

I, for one, can’t resist wishing the character made for Kumar had more up his sleeves. The actor decidedly sparkles amid a minute where he, interfered with mid-tandoori chicken, flaunts his poker confront and feigns strikingly well, and the way he cajoles his beaten foe to eat another chomp is extremely valuable. Yet that is the main part where he’s being cunning.

Everything else is sincerity and fortitude, and while well-meaning, sticking merely to that is what keeps this film from being genuinely memorable.

This, you might think, is a reckless demand: Why would I ask for a drama to be conjured up when this clearly stands as an inspirational story of hope? Well, because it’s not as if the film is taking cinematic liberties, and the one it confesses to is quite tell-tale: Airlift ends by informing us that there were two admirable Indian expatriates — a Mr. Matthews and a Mr. Vedi — who masterminded the dramatic rescue operation and that both of them were amalgamated into Kumar’s character.

Even when toasting a true story, say our movies, a superstar is worth more than a real hero.
Rating: rating

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Bollywood Loses One More Star As Sushanth Singh Rajput Commits Suicide

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Bollywood Loses One More Star As Sushanth Singh Rajput Commits Suicide

As Bollywood was coming to grips with the tragic loss of two of its finest actors Irrfan Khan and Rishi Kapoor, tragedy struck once again as news broke out about the death of Sushanth Singh Rajput.  The news left everyone shell shocked as news reports about police finding his body at his Bandra residence in Mumbai.  Sushanth Singh Rajput committed suicide according to the police and further reports are awaited following the post mortem autopsy.

Sushanth Singh Rajput was a brilliant method actor who performed in some memorable movies like Kai Po Che!, Shuddh Desi Romance, M.S. Dhoni: The Untold Story and his last film Chhichhore.  Sushanth was working on his next project Dil Behcare, which is a remake of the Hollywood movie and the best selling novel, The Fault In Our Stars.  As news about Sushanths demise came out, shocked celebrities reacted with disbelief and offered their condolences.

Sushanth Singh Rajput is believed to have taken the extreme step due his battle with depression.  Incidentally,  in the last movie he was seen in Chhichhore, he gives the message that suicide is not an option for anything and that there is so much in life to look forward.  

We at Mango Bollywood extend our heartfelt condolences to the family and friends of Sushanth Singh Rajput as they cope with the loss.

 

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Rishi Kapoor- A Remembrance Of Bollywood’s Heartthrob And Legend

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Rishi Kapoor- A Remembrance Of Bollywood’s Heartthrob And Legend

Rishi Kapoor is known as one of the legends of Bollywood who was responsible for making Bollywood what it is today.  As the entire nation is coming to grips with the sudden demise of Irrfan Khan, Rishi Kapoor’s untimely demise is a heavy blow to the movie industry as well as the nation.  Fans and celebrities are still in shock from the news of Rishi Kapoor’s demise and it will surely take a while for the news to sink in.  Rishi Kapoor passed away in a hospital in Mumbai after losing a long battle with cancer.  

Rishi Kapoor hails from a clan who made its mark in Bollywood beginning with his father Raj Kapoor, who is revered as one of India’s most greatest and influential actors and filmmakers.  Rishi Kapoor is the second generation Kapoor to make his mark in the movie industry.  Rishi won a National Award for his debut role as a child artist in Mera Naam Joker (1970,) a movie which starred his father Raj Kapoor.  Rishi Kapoor was known as a heartthrob for playing romantic roles on the silver screen and has racked up some impressive hits as the lead actor like Rafoo Chakkar (1975,) Laila Majnu (1976,) Sargam (1979,) Karz (1980,) Prem Rog (1982,) Nagina (1986,) Chandni (1989,)  Heena (1991) and Honeymoon (1992.) 

ALSO READ: Irrfan Khan- An Ode To The Gentleman Actor

Rishi Kapoor moved on to playing supporting roles in the latter part of his career and gave us many notable performances.   Hum Tum (2004,) Fanaa (2006,) Namastey London (2007) and Love Aaj Kal (2009) are some of the famous films in which Rishi Kapoor’s performances are still cherished to date.

 

Rishi Kapoor left a proud legacy and his son Ranbir Kapoor will continue to carry the torch through his films.   India and Bollywood will miss its charming heartthrob Rishi Kapoor, but there is no doubt his family, friends and fans will continue to remember him through his films.

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Irrfan Khan- An Ode To The Gentleman Actor

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Irrfan Khan- An Ode To The Gentleman Actor

Irrfan Khan is one of Bollywood’s finest actors whose career spanned almost three decades.  Irrfan Khan brought multiple accolades to India and Indian cinema throughout his career by acting in Indian, British and Hollywood movies. The Angrezi Medium actor, sadly passed away in Mumbai owing to a sudden colon infection.  Khan recently battled with a neuroendocrine tumour and has announced his success against beating the cancer.  

Irrfan Khan is known for his offbeat and slice of life movies which make the viewers deeply reflect on life and philosophy.  Having made his debut with the Academy Award nominated movie Salaam Bombay! (1988,) Irrfan rose to prominence with his wide variety of roles he essayed throughout his career.  However, Irrfan Khan’s talent gained recognition with his portrayal of Paan Singh Tomar (2011) in the biopic movie of the same name.  Khan won the National Film Award for the best actor for his performance in Paan Singh Tomar.

ALSO READ: Irrfan Khan’s Birthday: Looking At The Actor’s Best Performances

Over the course of his career Irrfan Khan appeared in several Hollywood films like  The Warrior (2001,) The Namesake (2006,) The Darjeeling Limited (2007,) the Academy Award-winning film Slumdog Millionaire (2008,) New York, I Love You (2009,) The Amazing Spider-Man (2012,) Life of Pi (2012,) Jurassic World (2015) and Inferno (2016.) 

Some of Irrfan Khan’s best works came late into his career and they include movies like The Lunchbox (2013,) nominated for a BAFTA Award Haider (2014,) Gunday (2014,) Piku (2015) and Talvar (2015) and the critically acclaimed Hindi Medium (2017) which went on to become one of the biggest grossing movies of Bollywood before Irrfan Khan was diagnosed with cancer in 2018.

Irrfan Khan’s last movie was the recently released Angrezi Medium which hit the theaters earlier this year.  With the untimely and unfortunate demise of one of India’s finest actors, Irrfan Khan will leave a huge void in Indian cinema but there is no doubt that Irrfan Khan immortalized himself on the silver screens.  Indian Cinema will miss the maverick actor of modern Bollywood classics.

 

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Nishabdham Trailer – Madhavan Starrer Promises An Intense Thriller

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Nishabdham Trailer - Madhavan Starrer Promises An Intense Thriller

Nishabdham is an upcoming multilingual movie which stars Anushka Shetty and Madhavan in the lead roles. Directed by Hemant Madhukar, this film is jointly produced by T.G. Vishwa Prasad, Vivek Kuchibhotla and Kona Venkat. 

The trailer begins with an intense and ominous shot in the basement of a house in the U.S., showing a dead body and a terrified Sakshi (Anushka Shetty) turning towards the camera. The next shot shows a news anchor outside the house which is being referred to as a haunted house.  A visibly injured Sakshi is seen in a hospital bed trying to convince Maha (Anjali,) a cop that it was a ghost who committed the murder.  Maha believes it is Sakshi’s best friend Sonali (Shalini Pandey) who committed the crimes but it turns out she is already deceased and cremated.  The plot of the movie can be deduced from the rest of the trailer. Nishadham will be a movie where Sakshi and Maha race against time to connect the dots and uncover the killer.

Watch the trailer here:

 

Madhavan will be seen in an upcoming bilingual movie Rocketry: The Nambi Effect in which he will star alongside Simran Bagga.  The movie is based on the life of Nambi Narayan, a former scientist and aerospace engineer of the Indian Space Research Organisation who was accused of espionage.

Nishabdham stars Anushka as a mute artist and Madhavan as a musician in the lead roles while Hollywood’s Michael Madsen, Anjali, Subbaraju, Shalini Pandey and Srinivas Avasarala will appear in supporting roles.  Nishabdham is slated for a release worldwide, on April 2nd, 2020.  

 

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Sonam Kapoor Advocates Empowering Women Ahead Of Women’s Day

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Sonam Kapoor Advocates Empowering Women Ahead Of Women’s Day,Mango Bollywood,Bollywood Celebrities Latest News 2020,Sonam Kapoor,Empowering Women,Women’s Day,Women’s Day 2020,women empowerment,Sonam Kapoor latest photoshoot,Female empowerment,International Women’s Day

Sonam Kapoor is a notable Bollywood icon who is known for supporting social causes like breast cancer awareness and LGBTQ equality.  Sonam Kapoor, in a recent post on Instagram advocated for women empowerment, with a picture from her latest photoshoot.

Sharing her thoughts in the post Sonam Kapoor says she cannot be the poor little rich girl anymore nor should she feel sorry for herself.  Speaking more about empowerment, Sonam said she needs to make harder choices in order to pave the future way for women after her. That is the reason why her whole team consists of women and why she also voices the need to cut down thousands of years of deep rooted patriarchy.

 

In another post Sonam Kapoor posted “For me, female empowerment is very important, especially because I’m from a side of the world where women have always been second class citizens (sic.)”

 

 

This post comes just a few days before the International Women’s Day, a day dedicated to celebrate womanhood all across the world. 

Sonam Kapoor is well known for memorable supporting role performances in movies like Bhaag Milka Bhaag (2013,) Pad Man (2018,) and Veere Di Wedding (2018.)  Sonam is perhaps well known for her role as Neerja Bhanot in the biopic Neerja (2016.)  Sonam Kapoor was last seen in The Zoya Factor where she starred alongside Dulquer Salmaan.

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